"Concepts of eternity and immortality will disintegrate, and the woes of eternalization of matter will be reduced ever more to nothing ...the stripteases of the constellations, the rhythmic dances of asteroids and ultrasonic music of thousands of fragmented sounds will supply us with moments worthy of demigods." - Giuseppe Pinot-Gallizio, Discourse on Industrial Painting and a Unitary Applicable Art, Internationale Situationniste #3 (December 1959)
During the late 50s and 60s, founding member of the Sitationist International, Giuseppe “Pinot” Gallizio – an engineer, botanist, chemist and artist – developed a technique known as Industrial Painting. In a collaborative effort - a critical perversion of the assembly line - artists, scientists and local people used primitive machines to fill long rolls of canvas with abstract-gestural paintings. These mass-produced but unique objects were intended to be sold en masse, cut up by-the-metre, to usurp the art market.
Through an ongoing project, sound artist Graham Dunning explores Gallizio's work by analogising the visual and auditory realms. This radio programme documents the latest stage in the process: The Radiophonic Laboratory of Antimatter. Here Dunning invites participants to a workshop at his London studio, the aim, to create abstract-gestural audio by transposing Gallizio's original techniques into sonic equivalents.
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